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Analysis of institutional authors

Sanchis Frances, RaulAuthor

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January 22, 2021
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Article

Connections between dance and prostitution in medieval autumn: Sinful females, king of harlots and çabies

Publicated to:Scripta-Revista Internacional De Literatura I Cultura Medieval I Moderna-International Journal Of Medieval & Modern Literature & Culture. 16 300-319 - 2020-01-01 16(), DOI: 10.7203/SCRIPTA.16.19232

Authors: Francés RS; ICONODANSA LRi

Affiliations

Universitat Rovira i Virgili - Author

Abstract

© 2020 Universitat de Valencia. All rights reserved. This study shows the close relationship between the sinful females (fembres pecadrius) and the practice of dance during the medieval autumn: On the one hand, in the slums and brothels, controlled by the figure of King of Harlots for some time, and on the other, in the Court, under the shelter of the ruling classes. In addition, it analyses impositions such as the tarquena or tarchana (also tarcon, in Castilian), which taxed the activities of the çabies or sabies (Muslim prostitutes) and the musical interventions of the minstrels at weddings and zambras of the Saracen collective.

Keywords

cabies (muslim prostitutes)king of harlotsmiddle agesprostitutestarquena (tax)Çabies (muslim prostitutes)DanceKing of harlotsMiddle agesProstitutesTarquena (tax)

Quality index

Bibliometric impact. Analysis of the contribution and dissemination channel

The work has been published in the journal Scripta-Revista Internacional De Literatura I Cultura Medieval I Moderna-International Journal Of Medieval & Modern Literature & Culture, Q4 Agency Scopus (SJR), its regional focus and specialization in Literature and Literary Theory, give it significant recognition in a specific niche of scientific knowledge at an international level.

From a relative perspective, and based on the normalized impact indicator calculated from World Citations provided by WoS (ESI, Clarivate), it yields a value for the citation normalization relative to the expected citation rate of: 2.86. This indicates that, compared to works in the same discipline and in the same year of publication, it ranks as a work cited above average. (source consulted: ESI Nov 14, 2024)

This information is reinforced by other indicators of the same type, which, although dynamic over time and dependent on the set of average global citations at the time of their calculation, consistently position the work at some point among the top 50% most cited in its field:

  • Field Citation Ratio (FCR) from Dimensions: 3.13 (source consulted: Dimensions Aug 2025)

Specifically, and according to different indexing agencies, this work has accumulated citations as of 2025-08-17, the following number of citations:

  • WoS: 1
  • Scopus: 1

Impact and social visibility

From the perspective of influence or social adoption, and based on metrics associated with mentions and interactions provided by agencies specializing in calculating the so-called "Alternative or Social Metrics," we can highlight as of 2025-08-17:

  • The use of this contribution in bookmarks, code forks, additions to favorite lists for recurrent reading, as well as general views, indicates that someone is using the publication as a basis for their current work. This may be a notable indicator of future more formal and academic citations. This claim is supported by the result of the "Capture" indicator, which yields a total of: 4 (PlumX).

It is essential to present evidence supporting full alignment with institutional principles and guidelines on Open Science and the Conservation and Dissemination of Intellectual Heritage. A clear example of this is:

  • The work has been submitted to a journal whose editorial policy allows open Open Access publication.
  • Additionally, the work has been submitted to a journal classified as Diamond in relation to this type of editorial policy.

Leadership analysis of institutional authors

There is a significant leadership presence as some of the institution’s authors appear as the first or last signer, detailed as follows: First Author (Francés RS) and Last Author (ICONODANSA LRi).

the author responsible for correspondence tasks has been Francés RS.